On a sunny Monday afternoon, the phone rings in Mel Gibson's Los Angeles home...
Gibson: Gibson household, Mel speaking.
Richards: Mel, hi. It's Michael Richards.
G: Mike! Great to hear your voice! How ya doin'?
R: Um, okay. So, a delivery guy showed up at my apartment this afternoon, with a package from you...
G: Ah, so you got the fruit basket I sent over! Fantastic!
R: Yeah, and the thank you card. I have to admit, I'm still a little confused about all this.
G: You don't like fruit?
R: No, no - I love the fruit. Fruit's great. But you didn't promise me fruit. We had a deal, remember? I take the spotlight off of you, and in return you set me up with a pay day so huge that "even Jerry Seinfeld's horns are gonna turn green with envy." Well, I held up my end of the bargain.
G: You sure did, man. And now I'm gonna hold up mine. See, I want you to star in my next production.
R: Me? In a movie of yours? Seriously?
G: Why so shocked?
R: Uh, gee Mel, maybe because that stunt I agreed to pull last week was pretty much the death knell of whatever was left of my career.
G: Well then guess what, broham? It's time to resurrect that motherfucker. And I've got just the vehicle to do it...
R: I'm listening.
G: Okay, hold onto your seat: Lenny Bruce bio pic.
R: What!? Oh geez, Mel! This is your big fucking plan!?! I mean, hasn't that
already been done?
G: Yeah, but not done right! I'm talkin' big BIG budget stuff here. Epic. You know how I roll. Just look at the script, fer christ sake.
R: Script?
G: Dude, under the papayas.
R: ...oh, I see it. (begins to thumb through the pages) Mel, I have to make jokes about Jews, African Americans, the KKK... this is a disaster waiting to happen.
G: No, it's a classic tale of martyrdom. The misunderstood comedian, delivering the punchlines that everybody needed to hear, but nobody wanted to.
R: There's a scene here where I chase some hecklers out of the club! Are you nuts?
G: Fuckin' moneylenders in the temple, man! That's cathartic is what that is. That's your second act climax done to perfection.
R: Gibby, let's be honest here. Between your recent, um...ethnic sensitivity issues and mine, nobody is gonna see this movie. I mean, it would be incredibly, unbelievably offensive. We're talking about the biggest box office flop of all time. It would make
UHF look like
Jurassic Park. How is this gonna make either of us any money?
G: Let me ask you something, Kramer... (long pause) Did you ever think that, maybe, you could make more money off a flop than a hit?